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Man Ray: A man in love with a woman from a different era. I see a photograph!
Luis Buñuel: I see a film!
Gil: I see insurmountable problem!
Salvador Dalí: I see rhinoceros!
In 1956, Salvador Dalí created a sculpture entitled Rinoceronte vestido con puntillas (Rhinoceros dressed in lace). He was inspired by a woodcut created by Albrecht Dürer in 1515, popularly known as Dürer’s Rhinoceros. Starting in the 50s, Dali painted several of his subjects as composed of rhinoceros horns. According to Dalí, the rhinoceros horn signifies divine geometry because it grows in a logarithmic spiral. He also linked the rhinoceros to themes of chastity and to the Virgin Mary: “The rhino horn is indeed the legendary unicorn horn, symbol of chastity. The young lady may choose to lie on it or to morally play with it; as it was usual in courtesan love epochs”.
Luis Buñuel: I see a film!
Gil: I see insurmountable problem!
Salvador Dalí: I see rhinoceros!
In 1956, Salvador Dalí created a sculpture entitled Rinoceronte vestido con puntillas (Rhinoceros dressed in lace). He was inspired by a woodcut created by Albrecht Dürer in 1515, popularly known as Dürer’s Rhinoceros. Starting in the 50s, Dali painted several of his subjects as composed of rhinoceros horns. According to Dalí, the rhinoceros horn signifies divine geometry because it grows in a logarithmic spiral. He also linked the rhinoceros to themes of chastity and to the Virgin Mary: “The rhino horn is indeed the legendary unicorn horn, symbol of chastity. The young lady may choose to lie on it or to morally play with it; as it was usual in courtesan love epochs”.
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